Your chart is a living 3D object you can turn, zoom, and peel apart in layers. Each toggle in the side panel reveals one way of seeing the same field. None of them is the "real" chart — they are lenses on one geometry. This page explains, in plain language, what every option shows.
Start here — the master view that contains all the rest.
The complete volumetric form: the planets packed as interpenetrating spheres in three dimensions, the way a real flower of life closes into a solid. This is the chart at full depth. The sliders that appear (shells, sphere size, opacity, glow) let you open it from a tight kiss of spheres out to the fully interpenetrating "true flower," and add bonds, the vector-equilibrium hull, or a flat slice through the middle.
The timeless figures the chart is built on — the same forms whatever your birth data.
The classical figure: nineteen equal circles on a triangular lattice — a center, a ring of six, a ring of twelve — each circle passing exactly through its neighbours' centers. This intersection is what creates the petal shapes. It is the geometric ground your planets are placed onto.
The six-pointed star that the lattice naturally produces when you connect the right circle-centers. "Lattice-true" means it is drawn from the actual geometry, not laid on top as decoration.
The flower's petals lifted into three dimensions. A cuboctahedron (also called the vector equilibrium) is the 3D solid whose edges are all equal — the most balanced way to pack space. It is what the flat flower "wants to be" when given depth.
A mandorla (Italian for "almond") is the lens-shaped overlap where two circles cross — the vesica piscis. In sacred geometry it marks where two wholes meet and a third thing is born. In your chart the mandorlas are shown in teal as the lateral lens-shapes between petals. In a partner reading, the mandorla becomes the centerpiece: the overlap of two people's fields, measured as a real percentage of how much they share.
The reference lines that orient the chart in the sky. Important: these are the frame you read against — the underlying field does not depend on them.
The circle of twelve signs around the rim, the familiar zodiac. It tells you where on the wheel each planet and the field's aim point. The sign is a cosmetic projection: the geometry underneath is the same no matter which zodiac convention you measure it in.
The twelve dividing lines of the zodiac wheel, drawn on the plane of the ecliptic (the sun's apparent path). They are the grid the signs sit in.
The line of the Moon's nodes — where the Moon's orbit crosses the ecliptic. In the Cayce tradition this axis carries the language of the soul's intention: the South Node what is brought in, the North Node what is being reached toward. The system uses the node as its measuring anchor, but proves mathematically that the field's core quantities stay identical whatever anchor is chosen.
The Ascendant–Descendant line: the horizon at your moment and place of birth. The Ascendant is the degree rising in the east. This axis requires an exact birth time; when the time is unknown it is left off and the reading says so.
The twelve houses in the equal-house system, anchored to the Ascendant. Houses are the "areas of life" frame of traditional astrology. They are offered as an overlay for the familiar — the Scalar Flower field itself never uses houses to compute anything.
The planets themselves and the real geometry of where they sit.
The ten planets placed at their true positions, with their ecliptic latitude (how far above or below the sun's plane they sit) exaggerated threefold so you can see the depth. Without the exaggeration the planets sit nearly flat; the ×3 lets the three-dimensionality read.
The Moon's orbital plane, tilted about 5.1° from the ecliptic. This tilt is exactly why eclipses are rare and why the nodes matter — they are where the two planes cross.
The actual planes of the solar system and the direction of the Galactic Center, for those who want the chart situated in real astronomical space rather than the idealized disc.
Living layers — motion, interference, and time.
The current positions of the planets overlaid on your birth field — a snapshot of where the sky is now relative to where it was when you were born. A way to see what is presently in contact with your design.
A rendering choice for how the wave pattern's crests ("bellies") sit relative to the nodal axis. It is texture, not meaning — a way to make the standing-wave pattern visible.
Highlights which lens-overlaps (mandorlas) are currently "lit" by transiting contacts — where the present sky is touching the meeting-points of your field.
The ten planet-waves shown as an interference field across the whole disc, like ripples on a pond crossing each other. Bright regions are where the "voices" sing together; dark regions are where they cancel to silence. The brightness at the very center is the hub — the single number measuring how much the whole chart agrees with itself.
Switches the wavelengths from uniform to Keplerian — scaled to each planet's actual orbital period, the way Kepler related orbits to musical ratios. This is texture only. The system proves the chart's core quantities (hub, aim, chorus, winding) are identical whether wavelengths are uniform or Keplerian. The λ choice changes how the field looks, never what it means.
Slowly turns the chart on its own so you can watch the full form without dragging. Purely for viewing.
Opens the form to compute a reading for your own birth data. Requires a reading credit — purchase first, then request with the same email you checked out with.